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Song of Rabindranath Tagore
This page contains lyric of Tagore song ami pothbhola ek pothik and its transliteration in English with background history. Background of the song includes the place and date of the song written by Rabindranath, name of the newspaper or magazine the song was first published in and the name of the person who had prepared the notation or swaralipi. This page also contains the musical composition of song like parjaay, taal, raag and ango.
The other related elements of this song like translation in English and Hindi, notation in Bengali (swaralipi), staff notation (western) which are available in other pages, please find the related links below. We have also provided the pdf's of lyric, notation and staff notation with midi with downloadable links so that people may find it easier to get the song and notations in printed format.
Parjaay: Prakriti (201)
Upa-parjaay: Basanta (14)
Taal: Dadra
Raag: Khambaj
Written on: 1916 (21 Chaitra 1322)
Place: Shantiniketan
Swarabitan: 16 (Geetapanchashika)
Notation by: Dinendranath Tagore
This song was written on 3rd April, 1916 at Shantiniketan.
Asit Kumar Haldar, a painter who was in relation with Rabindranath (grandson of Sharatkumari), had written in his memoir -
... There was a piano in a room called 'Bichitra' (a clubhouse beside Jorasanko Thakurbari). Rabi-dada took Soumya and me to the clubhouse within the 'Lalbari'. He was singing two previously composed songs and further modifying them. The songs were 'Pathbhola E Pothik...' and 'Aloke kusum na diyo ...'. We did try to pick up the song although our effort could hardly satisfy him. His reaction was -
... Controlling my melody-queen is beyond your capacity, dear! It is Dinu only who can do that.
Asit Kumar Haldar wasn't an established singer, although he did perform in public quite often. But Soumendranath Tagore was a prolific singer with unquestionable talent. Moreover he was an acclaimed critical analyst of Rabindranath's songs. He was allowed to share a stage for a duet with the poet at a very young age. This, once again, is an example of his sensitiveness for his own songs. Mr Haldar must have erroneously mentioned the first song which should have read 'Aami Pathbhola Ek Pothik ...'.
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'Aami pathbhola ek pothik esechhi. Sondhyabelar chaameli go, sokalbelar mollika Aamay cheno ki.' 'Chini tomay chini, nobin paantho - Bone bone ore tomar rogin basonopraanto. Phaagun praater utala go, choitro raater udaashi Tomar pathe aamra bhesechhi.' 'Gharchhaara ei paagoltake emon kore ke go daake Korun gunjori, Jakhon baajiye bina boner pathe berai sanchori.' 'Aami tomay daak diyechhi ogo udaasi, Aami aamer manjori. Tomay chokhe dekhar aage tomar swapon chokhe laage, Bedon jaage go - Na chinitei bhaalo beshechhi.' 'Jakhon phuriye bela chukiye khela tapto dhular pathe Jaabo jhara phuler rathe - Takhon sango ke lobi' 'Labo aami maadhobi.' 'Jakhon biday bnaashir sure sure shukno paata jaabe ure Songe ke robi.' 'Aami rabo, udaas habo ogo udaasi, Aami torun karobi.' 'Basonter oi lolit raage biday byatha lukiye jaage - Phaagun dine go Knaadon-bhara haasi hesechhi.'
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