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Song of Rabindranath Tagore
This page contains lyric of Tagore song tumi je surer agun and its transliteration in English with background history. Background of the song includes the place and date of the song written by Rabindranath, name of the newspaper or magazine the song was first published in and the name of the person who had prepared the notation or swaralipi. This page also contains the musical composition of song like parjaay, taal, raag and ango.
The other related elements of this song like translation in English and Hindi, notation in Bengali (swaralipi), staff notation (western) which are available in other pages, please find the related links below. We have also provided the pdf's of lyric, notation and staff notation with midi with downloadable links so that people may find it easier to get the song and notations in printed format.
Parjaay: Puja (6)
Upa-parjaay: Gaan
Taal: Dadra
Style: Baul Sur
Anga: Baul
Written on: 1914 (24 Chaitra 1320)
Collection: Geetimalya
Swarabitan: 40
Notation by: Dinendranath Tagore
Notes: This song was written on 7th April, 1914
Asitkumar Haldar, the renowned artist, was son of Suprabha, daughter of Sharatkumari Devi, Rabindranath’s elder sister, in his memoire, ‘Rabi-tirthe’ had written –
… I had been to Ranchi on the summer vacation, while Mukulchandra Dey, one of my students, staying back in Ashram. He approached Gurudev for a new theme to paint which he could not make out single-handedly. He could approach anyone and quite easily he could manage favours. The poet advised him to draw an image of Saraswati, the divine erudite. He had specific request to avoid the calendar style. Mukul had bent upon the board and started producing a series of Saraswati images. Sadely none of them could impress the poet. I came back after my holidays and once again ‘Rabi-da’(du) had forwarded the request for sketching the image of Saraswati, the Divine Erudite. The way he had elaborated me the picture with a radiant halo I had painted a flaming image of Saraswati. After unveiling the completed painting in front of Rabi-da it immediately created a musical impression within him. And he started singing in a low subdued voice tapping with his fingers. A new song was composed – ‘Tumi je surer aagun laagiye dile mor praane …’.
The choir of the Ashram learnt the song from Dinu-da.
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Tumi je surer aagun laagye dile mor praane, E aagun chhoriye gelo sob khaane. Joto sob mora gaachher daale daale Naache aagun taale taale re, Aakashe haat tole se kaar paane. Aandharer taara jato abaak hoye roy cheye, Kothakar paagol haawa boy dheye, Nishither buker maajhe ei je amol Uthlo phute sarnokamol re, Aaguner ki gun aachhe ke jaane.
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